Admittedly, the album sorta wanes toward the end, but for the most part you have some solid numbers with some catchy hooks. And Car Song, of course, is really sexy, too. It's unfortunate that their follow-up albums didn't share the same magic as their debut, but it was to be expected. They had a lifetime to write their first album, and only a year or two to write their second. That is where the talent and skill really shines through. I'm satisfied to see them as a one-hit-wonder, not a problem. Just another CD to add to my huge collection of awesome crunchy guitars with that thick Brit accent.
I received my Hall & Oates tracks today from Neil, so we are on pace to get a big H&O deluxe edition that will one up the official deluxe, on April 24th. I am so stoked! I'm half-tempted to try and push out the cover some time this week and post early, but we'll see how my week goes, first.
I believe - and it is strictly a belief and goodness knows I've been knocked down by truth before - but I BELIEVE that some of the stunners on this debut album were co-penned by Justine's then-boyfriend Damon Albarn. As such, the album really does soar at times and gives a wonderful crunchy giddy rush with at least a third of the tracks. I adore it, and quite liked the follow-up although Damon's lack of input is telling in how different the two albums are from each other.
ReplyDeleteI still rock this one on the regular. I was terribly amused to buy the vinyl when it was originally released, and find that they had included an "Ant-Catalogue" as Adam Ant had on KINGS OF THE WILD FRONTIER. They didn't hide their influences much.
Maybe it is not much, but I will light a candle at mass, leave a prayer card for you and your spouse, can not hurt, yes?
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